Executive Team

Aliye Cornish Moore is an experienced arts executive and performer and a graduate of the Royal College of Music and Royal Academy of Music. In May 2019 she was elected an Associate of the Royal Academy of Music (ARAM) for making a significant contribution to the music profession. In 2025 she graduated from the Oxford Executive Leadership Programme run by the Saïd Business School at the University of Oxford, with one of the highest scores awarded. 

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As a period viola player she appeared and recorded with Arcangelo, the English Baroque Soloists, the Dunedin Consort and Irish Baroque Orchestra, during a 15 year performing career. Highlights included tours to the USA and across Europe, multiple appearances at the BBC Proms and the Edinburgh International Festival, and appearances on several definitive recordings of Baroque masterpieces.

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She currently  represents the IBO on the Board of Directors for the European Early Music Network (REMA). A core belief of hers is that music holds a key to building a stronger society, and this belief finds expression in the IBO's community and participation work. In her spare time she enjoys quality time with her family, and getting away from screens. 

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Doireann has been playing music since the age of 6, first learning violin before later commencing cello lessons. This has led to her to play with many different ensembles from a young age as well as having a background in choral singing.  During her time in the MTU Cork School of music, she became aware of her love of conducting and specialised in it throughout the degree.  In addition to her conducting opportunities in CSM with lecturers Tom Doyle and Conor Palliser, she has recently assisted Sinead Hayes, James Kavanagh and received tuition from Robert Houlihan.

 

As a cellist, she has worked alongside the Irish Baroque Orchestra and is a founding member of the Iverni Baroque Ensemble. 

Alison has a varied professional and academic background. In 2011, she completed a B.A. in Applied Languages and Translation Studies at Dublin City University and went on to undertake a M. Phil in Literary Translation at Trinity College Dublin in 2012. 

 

In 2015, she took a change of direction and studied Cultural Event Management in the Institute of Art, Design and Technology, Dun Laoghaire. From there she began her career in fundraising, working on individual giving campaigns in the Irish Red Cross from 2016-2021. As a member of staff for the national society of a global organisation, she gained invaluable insight into creative ways of reaching common goals, working against the clock and driving income. In 2019, Alison undertook a Diploma in Fundraising Management with the Charities Institute of Ireland and gained a wider knowledge of other areas of fundraising and development. 

 

Alison played oboe and piano as a youngster and was a member of the Dublin Youth Orchestra and Greystones Youth Orchestra. These days she is a singer and songwriter who loves her family and delights in her book club. 

Aisling Kenny is a soprano soloist, ensemble singer and recitalist specialising in historical performance. She performs regularly with leading Irish and European ensembles including the Irish Baroque Orchestra, Collegium Vocale Gent and Resurgam.

 

As Choir Fixer for the
Irish Baroque Orchestra, she works closely with the Artistic Director and Executive Team to engage soloists and ensemble singers for the IBO Chorus.
Aisling has a broad professional background spanning research, teaching and organisation. Awarded funding from the Arts Council and the Irish Research Council for both performance and research, she has organised numerous concerts, recitals and conferences.

 

As an educator, Aisling has taught in schools and universities as lecturer and vocal coach, contributing to
module design, curriculum review and student mentoring. She has served as examiner for the Royal Irish Academy of Music and adjudicator at national competitions. Her research includes Women and the Nineteenth-Century Lied (Ashgate, 2015), co-edited with Susan
Wollenberg, and articles on Irish singers in The Encyclopaedia of Music in Ireland.
 

Aisling was Trustee and Choir Advisor for the Charles Wood Festival and Summer School (2012-17), curating a forty-voice choir of professional and student singers for concerts, services and live broadcasts. She holds a BMus and PhD in Musicology from Maynooth
University and an MA from the Schola Cantorum Basiliensis, Basel. She is passionate about
access to music education and performance, and nurturing a love of classical music in those
new to it.